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Jul 11, 2025

Question

S1: Herman Melville’s distress about the commercial failures of his writings is evident in all of his works, but in none more prominently than in one of his later novels, Pierre. S2: While the narrative in much of the novel proceeds in the conventional manner, tracing a coming-of-age story of a young boy in a pastoral landscape, the last third of the novel takes a drastic turn. S3: The landscape of flowing green funnels into the bleak darkness of a single room; a harrowed writer sits at a desk penning paper after paper for ungratifying pay. S4: One wonders whether this is more than a veiled fictionalization of Melville’s penury at the time; it feels, on the contrary, like a distinct jab against those very publishers who would — precisely as he had predicted — reject his novel.

The author of the passage is primarily concerned with

illustrating how a writer’s real-life concerns influenced features of a particular novel

relaying the plot of a writer’s underappreciated novel

providing reasons for a novel’s underwhelming commercial performance

outlining the method an author used to write a novel

arguing against the injustice inherent in publishers’ reception of a certain novel

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